When it comes to posting blogs, one doesn't have to choose between quality and quantity. It's easy enough to choose neither.
Wednesday, April 18, 2012
A Manly Question
That's a problem that has been in the back of my mind for what's likely close to two decades but more recently I've been giving it a lot of thought. When I was young I liked to view the world in relatively simple terms. The easiest way to see gender is male and female. With two categories it makes for easy understanding. Males are tough, physical, rational, strong, and aggressive. Females are soft, emotional, compassionate, sensitive, nurturing and dependent. The nice thing about this view is that it was easy enough to find corroboration in countless places.
There are of course cracks in the simplistic view. At first with a bit of selective vision and selective interpretation, the view was defensible. For example, everyone knows that only boys fight physically because they're aggressive and girls aren't. Of course the occasional fight does break out between girls but that's because everyone knows that they're catty. (Thank God I'm male and don't have my own friends stabbing me in the back.)
Unfortunately the view got harder to defend as more and more counterexamples appeared in my life. As I had my view challenged I sought to find an explanation that could account for all the corroboration of my old gender views but allow for all of the exceptions. I was unsuccessful so I sort of ignored the problem, or at least never looked at it head on. I would affirm what I assumed to be truths about gender and then affirm other facts despite apparent contradictions. If the contradiction were pointed out I would likely have affirmed it too. The easiest solution to all the exceptions of the traditional male female gender roles is one that I was never willing to embrace: that gender traits are only social constructs and that is why they don't work.
The last little while I have been thinking a fair bit about what masculinity means and was also struck by an interesting entailment on my assumption that there is such a thing as masculinity, and that is there must be such a thing as femininity. Not being able to figure that question out by introspection, I've asked several of my women friends what their thoughts on it are.
The question assumes that gender is a defining characteristic of people. I think it's a defensible assumption and can argue why, but will forebear doing so because I assume that most are happy to allow for the assumption. The question I asked was, "What are some of the defining traits and characteristics of femininity that you relate to as a woman?" I was not prepared to assume that there are certain traits that are exclusive to one gender while universal to another, but I thought that maybe there are some that are generally more common to, or more strongly embodied by one gender.
I received some good replies, though perhaps the most interesting was "why is this so important to you?" Not the what is femininity question, but gender in general. I think I stuttered out some sort of answer but the succinct reply was "I don't know." I didn't know, but it caused me to think.
The website The Art of Manliness defines manliness as the not the opposite of femininity but rather the opposite of boyishness. I think that this is perhaps part of the reason why the question has been important for me, especially of late. As a student, though I'm in my late twenties there's not a lot that separates me from my adolescent life. I don't have any of the stereotypical trappings of adulthood, career, family, or mortgage so how do I know I'm an adult? Well I'm an adult if I'm a man so I need to know what it means to be a man.
That's just part of it though. I remember as a young boy driving home with my dad. I had the option of traveling with my mom in the other car but I remember that I really wanted to drive with my dad. I don't remember anything except for the fact that I was very happy to be spending time with my dad, talking "man to man". I felt that my masculinity was affirmed and that affirmation was very important to me. Now as an adult I think I'm looking again for that same affirmation but I don't know where to look because I don't even know what masculinity is. So I guess my answer is that the question is very important to me because it is important to me.
Anyway, I was really happy the other day because I think I've answered the question of what gender is.
Sunday, March 25, 2012
Why I Listen To Jay-Z
Certainly there are mainly valuable lessons contained within, I'll mention one that really stood out. Much of the advice contained deals with how to navigate various relationships and of course communication is invaluable regardless of the type of relationship. One of the points the book's author Stephen Covey makes is that one should always First Understand, then Be Understood. When I first read this it seemed so obvious that it doesn't really bear stating. It is just too cliche seeming, like a commendation to "walk a mile in his shoes."
However, the problem is that comprehension is always done through one's own framework which necessarily skews understanding. The suggestion then, is to really seek to understand the other person's point of view, by considering not just the information being presented, but why it's being said. This involves questions and rephrasing so that both parties can be certain they're on the same page. Only when you understand the other person's point of view do you present yours. Then seek to have the same level of understanding. So often disagreements stem from people who are arguing different things. Here's an example.
A while ago my friend Calvin loaned me a book by Jay-Z called Decoded. It is part autobiography and part discussion of his rap lyrics. It was perhaps surprising that Calvin loaned me the book because historically I've been dismissive of rap, not being overly fond of the sound and outright contemptuous of the lyrics. The lyrics are after all, hopelessly materialistic, violent, misogynistic and based solely in shock value. However, I decided to read a bit.
I read about Jay-Z's start in the projects selling drugs but later skipped over to his explanation of the only song of his that I knew, 99 Problems. I had heard the song before but the only lyrics I knew were of course, the chorus. "If you're having girl problems I feel bad for you son, I've got 99 problems but a bitch ain't one"
In the book he discussed the lyrics from the second verse:
"The year is '94 and in my trunk is raw
In my rear view mirror is the mother fucking law
I got two choices y'all, pull over the car or
bounce on the double put the pedal to the floor
Now I ain't trying to see no highway chase with jake
Plus I got a few dollars I can fight the case
So I pull over to the side of the road
And I heard "Son do you know why I'm stopping you for?"
Cause I'm young and I'm black and my hat's real low
Do I look like a mind reader sir, I don't know
Am I under arrest or should I guess some mo?
"Well you was doing fifty five in a fifty four"
"License and registration and step out of the car"
"Are you carrying a weapon on you, I know a lot of you are"
I ain't stepping out of shit all my papers legit
"Do you mind if I look round the car a little bit?"
Well my glove compartment is locked so is the trunk and the back.
And I know my rights so you gon' need a warrant for that
"Aren't you sharp as a tack are some type of lawyer or something?
Or somebody important or something?"
Nah, I ain't pass the bar but I know a little bit
Enough that you won't illegally search my shit
"We'll see how smart you are when the K-9's come"
I got 99 problems but a bitch ain't one
Hit me"
The thing that surprised and impressed me the most was the chorus. "I've got 99 problems but a bitch ain't one" isn't misogynistic here, he's talking about the drug sniffing dog. Granted I'm a sucker for puns, but that's where my perspective changed a bit. Looking back through the rest one can see the what life is like for a poor, black man from the projects. The power tripping and racism of the cop, the prejudice, and the us versus them mentality is all there. I can complain about his dealing drugs but in the absence of any other opportunities it's difficult to lay too much blame on that.
Now I wouldn't say that having a rough background justifies all rap lyrics. Some of them are truly horrible, but I don't see how anything productive can occur if offended, middle-class, white people mount a censorship attack on their art without really understanding what's being said. From the little I learned about living in the projects from the book, the mentality is that it's a dog-eat-dog world and you can only look to yourself to overcome the trials. Maybe the lyrics about having the Bentley, the diamonds, the champagne and all the rest is the justifiable pride that comes from starting with nothing and pulling yourself up by your bootstraps to success despite the fact that countless others do nothing by try and pull you back down. Maybe the glorified violence, materialism, misogyny and all the rest are just a contrast of the life in the projects to the life on top. Maybe at the heart of the lyrics is a glorification of what's been overcome.
I don't know to what extent that's the case, but I'll never know if I don't learn how to understand and be understood. I imagine that without any of that understanding my criticisms will be understood as "You're evil and threatening and so is your culture and you should be more white. I didn't care about you when you were growing up in a neighbourhood of drugs, fear, violence and lack of opportunity and the only reason I care about you now is because you offend me." Hardly possible to have meaningful dialogue.
I'm not ready to go out and buy a bunch of rap albums; even if I loved the music I still find the lyrics too offensive to enjoy. That doesn't mean I wouldn't listen to them though, how else could I come to understand?
Sunday, March 18, 2012
Karen Gomyo: Epilogue
The story begins back February 18th, 2007. Due to the proximity to Valentine's Day I had already written a post or two about how being single was not only the state I was in, but the state I was happily in. Then my roommate Calvin came back from a date with his girlfriend to the symphony. (evidently the date went well, they're now happily married) He described how they had listened to Sibelius' Violin Concerto and how the soloist was a beautiful, young woman. I looked up her picture online and, instantly suffering from a celebrity crush, wrote this post on my myspace blog:
In my head I can already play it all out. It'll start with the fan letter that I'll write her. In it I will invite her out for coffee. She is, of course, always surrounded by fawning admirers and and demanding managers and conductors. I will provide a breath of fresh air for somebody living a life of stress and demands.
Over coffee I will be friendly, funny and charming, she will be sophisticated, alluring and exotic. I will provide a window of normality and calm, she will provide a breath of excitement.
We will enjoy several days of bliss as we experience infatuation and attraction of a hollywood romance level. Then her busy schedule will beckon and she will be off on a road trip to New York, London and then Tokyo. I will be back to work installing doors, casing and baseboard. She will be my foil, awing audiences with the beauty of her sublime playing. The most perceptive critics will wonder where the new found passion in her playing came from. Every memeber of the audience will tangibly feel the love and pain of separation singing from her violin.
We will both rack up exorbitant long distance phone bills, with me short on sleep from spending hours on the phone in the early morning hours to make up for the time differences. She will relate her feelings on bearing the weight of heavy expectations and I will comort her with jokes. Perhaps I will quote "A Valediction Forbidding Mourning" to her. I will surprise her with a visit to one of her concerts in Paris. It will be awkward though, both wondering how long this can last.
Perhaps it will start when I, in exhaustion, will nod off while on the phone with her. Perhaps there will be a handsome cellist with perfect pitch who can better understand her life. In any case a slow decline will occur. Her life and mine will be too different; we both know how the script ends before we arrive there.
I will lose Karen to the demands of the road. However, one day many years from now she will be long since retired. Then she will look back on her career, remembering the standing ovations in Carnegie Hall, the glamour of exposing her soul through music with the best musicians in the world. She will then remember the only person who treated her as a person instead of a commodity. The only man who gave more than he asked for. She will remember this and wonder if she made the right decision.
Then she will pick up her Stradavarius and play a tune so mournfully that the angels themselves will fly down and incline their ears to the tune. The tears they shed will fall as drips of rain and in that moment the world will stop and all hearts will beat with the same rhythm, and all hands will drop their weapons, unclench their fists, and join hands and cry for the terrible beauty and tragedy of love.
I thought that the story was over except for one of my other roommates mentioned that Karen (spoiler alert! Yeah, we're now on a first name basis) also had a myspace page. Probably under the influence of alcohol or worse, infatuation, I sent her a short email with a link to the blog. A terrible thing happened. She replied! She complimented my writing and all in all, was very friendly about the whole thing. There were a few more emails, I later posted this next blog, on June 4th of the same year:
She's Playing Me Like a Violin
For those of you who followed my previous myspace blog you'll be aware of the blog I wrote about Karen Gomyo.
As you may know, I was surprised to receive a reply from Karen who also had a myspace profile.
Now when I wrote the first blog about Karen it was totally tongue in cheek. I had no intention of contacting her, nor did I expect ever think of her again. When I learned that she had a myspace profile I sent her a link to my blog but didn't expect her to read it. Well she did read it and then she wrote me a reply setting into motion an unfortunate chain of events.
The first problem was that I wasn't lying when I wrote that Karen Gomyo is beautiful. Nor was I lying when I said that I find musical women attractive, and Karen is a professional musician. The next problem is that I suffer from the same disease that most guys suffer from, basically if a girl pays attention to me I optimistically think that she's interested. The final problem is that Karen perfectly fits into the category of girl that I always fall for, unattainable.
We kept up a correspondence for a little while and likely she was just kindly sending out a few emails to a fan. I however, feel that she had a more devious plan in place.
The first email that she sent was short, a polite reply to the blog I sent. She ignored my reply and I thought that I had heard the last of her. Then a couple of weeks later, out of the blue, came another email much longer and more personal. I was very surprised. I wrote back but she did not reply; not for a couple more weeks anyhow. I replied but this time I was kept waiting, and waiting. There were no more replies.
A few weeks later I went to write her another email and to my surprise she had deleted her profile. I was quite shocked, this time I knew it was over. I was quite disappointed and not just because I wanted her opinion on some violin recordings that I discussed in one of my blogs.
A week later I received a myspace email from someone named Karen. Her profile was completely blank except for her name, age and location. It was her, or perhaps someone playing a cruel prank on my, giving her opinion on the recordings. She had read my blog, and then created a profile solely to write me. This time I didn't know what to think.
The thing that she managed to do was write me an email just when I had lost all hope that I would hear from her again. I would always got through the same cycle of surprise at an email, hope for another reply, followed by disappointed resignation. Each email that she sent though, would further the reason for hope and those emotions would grow stronger with each cycle.
The problem is that now I see the pattern of receiving an email only after I've given up hope. Now I've lost hope that I'll hear from her again yet I know that it is in this time that she sends an email so I am unableto give up hope. She's got me stuck in an awful limbo. Obviously she is just toying with me for fun. Miss Havisham would be so proud.
The other thing is that I've got so many questions to ask her. "Is there time to sightsee when playing in foreign cities? Do you enjoy traveling so much? Have you visited the John Lennon Memorial in Central Park? Do you have the Stradivarius at your house when not touring or is it locked up? Will you marry me? What does Ex Foulis mean?
Man if she knew what she's done to me.
I don't like this last post as much, largely I think for one reason. I received an email from Karen apologizing for her actions, but between the lines also a "I don't know who you are or what you want, but it's starting to get weird and I wish you would stop" message. I felt bad because I just wanted to make people laugh, but perhaps the facetiousness of the message is lost for those who don't know me well. I wrote back to her apologizing and suggested that if she preferred, I would not contact her anymore. She replied that she would appreciate that. I sent one final email, asking that she would pardon this last blog post: (Which of course I linked in the email)
On a totally unrelated subject, does anyone want to buy a half carat, VVS1-VVS2 diamond solitaire ring?
Saturday, January 21, 2012
Old Philosophies Are Sometimes Best
Monday, September 5, 2011
My Finest Writing
I stumbled across a copy of it this evening while looking through some old mementos at my mom's place. It's called "The Snake" and I wrote it in grade two. I think you'll enjoy it.
The Snake
by Eddie Smith
Dedicated to Graham, and Janna and Lisa.
Once upon a time there was a rattle snake. She was a smart snake. She could tell things apart. She could even tell two wasps apart. But she could never answer this question. Guess what it was? How to have a baby. She did not like that at all because everyone wanted to know how to have one, so they asked her. She did not want to be embarrassed, so she would say that she was busy and go on her way.
One day she was slithering along when she saw a male snake. He looked very wise. So she asked him how to have a baby. This is what he said.
"Please show me your house and let me live with you and I will tell you."
So she let him live with her. She was pleased to have him in her house.
One day she screamed. The boy wiggled as fast as he could into her underground room. And there were some shiny white eggs. He was proud to have some children. He counted one, two, three, four, five, six seven, seven shiny eggs. The male said that you have to mate to have babies.
One day the male was out hunting when he caught a mouse and swallowed it whole. Then he went home. When he got there he saw seven little baby snakes, four boys and three girls. They loved to be strong. But they always were aware of a hawk or an eagle that may be flying around. They grew up healthy and lived happily ever after.
The End.
There are some fine illustrations as well, but you'll just have to take my word on it.
Friday, May 6, 2011
Planting Cons from a Pro.
Sunday, October 31, 2010
Large Medium Art
The building slowly retreated into the background as I walked into the woods. There’s a mysticism about nature, of which I am sceptical. Many choose to unreservedly champion the grandeur of nature, but I’ve spent too many hours working outdoors to hold such a position. Natural beauty is manifold and immense, but rather like the stripes of a tiger, sublimely beautiful but deadly if admired too closely. The beauty of nature is exquisite, but not unconditionally so.
It was not surprising then, that as I looked around me the thought crept into my head, “it’s not so beautiful here right now, it’s almost ugly.” Undoubtedly a few weeks ago the forest would have been alive with colour and majesty. The colours of autumn can alight the landscape in an unmatched visual cornucopia. The leaves now however, lay underfoot, already decomposing and creating a soft, brown carpet. The landscape was almost entirely brown, with only the early morning frost to add a touch of colour to the monochrome.
The sound of a creek drew me in. I stepped down the sides of the bank, feet almost touching the iced over water. An empty bucket in the centre of the creek, trapped by a rock dam, blighted the scene. I stood there for a moment considering whether it was worth attempting to retrieve it but my mind wandered and the thought was forgotten rather than rejected.
I looked down and noticed that there was a layer of ice at the bottom of the creek and then water flowing over top. The white of the ice contrasted with the brown creek bottom, perfectly visible in through the silt free water. I watched as some air bubbles flowed with the current, trapped beneath the glassy layer of surface ice. The bubbles would flow together, lazily meet and disperse. It crossed my mind that although stunning natural beauty was absent, there was still a poetry to the area. A small fish lazily flapped his fins in order to maintain his position in the stream. A second later he disappeared. The water was perfectly clear but the camouflage was too clever for my eyes. Only due to his movement as the current pulled him downstream was I able to make him out again.
Turning, I faced the bank. The sides of the bank rose several feet above where I was standing so I was able to view the sparsely treed forest at almost eye-level. The light of the morning sun lit up countless shimmering spider webs. The underbrush, now devoid of leaves, were tinselled in these threads of light, constantly moving and changing. The light would climb up and down the web, illuminating it and then leaving, and the strands would disappear. Many strands glowed white, one, a vivid indigo, leapt out from the rest. Then I caught sight of two rose hips still clinging to a bush. These splashes of red against the varied hues of brown offered a consummate counterpoint. A fallen tree blocked the sun, but its light gleamed on the underside of the log, a flash of brilliance captured by a thick cobweb.
I considered the scene. The sound of the creek rippled in the background, the chill air cleansed my pores and awakened me to miracle being alive. My breath was a cloud of glistening, tiny diamonds that swirled before dissipating into the frosty air. Deer tracks underfoot and blue sky above; I turned my head half a degree and the scene adjusted anew, revealing another perspective of majesty. In each half a second the details altered, offering up a new treasure, like an artist unable to finish a painting because with each passing second new inspiration would compel the brush to canvas. The forest which had first appeared dead to me, now was alive, brought to life by the light of the sun. I could not escape the resplendent beauty; it stretched out near and far in all directions.
As I left the sanctified setting my eyes involuntarily swept upwards. The sky, empty of clouds, was rich blue. The moon, distant and beautiful, half peeked out from the shadow of the Earth. Doubtless the beauty of the Earth remained even as my eyes now fixed themselves on the moon’s glory. My mind was unable to cope with the splendour and I was obliged to offer a prayer of thanksgiving to the artist capable of creating on such a scale, and with perfect harmonization from all the senses. I beheld but a portion of a cosmic masterpiece that changes through time, not dying, but being reborn.
As I walked back to the lodge the world reverted to its mundane normalcy. The divine sparks so evident before now retreated. My eyes, minutes earlier alert to every consecrated detail, were blinded once again. I mentally began composing these words to describe the experience, knowing that with time the emotions would fade into a two dimensional memory, like a snapshot of a mountain rather than the mountain itself. My mind, at work crafting sentences, was distracted by a squirrel running through the trees like an invitation; the divine may always be seen, if I but allow my eyes to be opened.